Navigating the Psychic Night: Cult of Dom Keller

This band is sort of a new one to me, however, I find they ring true in the cosmic balance and feel like passing them along to anyone who may have yet to discover them. My experience with writing about music is pretty limited, but what the fuck, I enjoy it and it’s fun to share interesting and exciting music. The group is called Cult of Dom Keller and their logo is a baby holding up a skull. The signs are reading that you’ll be hearing a lot more about and from them very soon if you haven’t already. Scattered about the internet are a sprinkling of tunes varied in form and vibe. They are the sounds of a group experimenting, changing shapes, stretching, contracting and playing around with different energies. The sound of people uncovering hidden dimensions of themselves through their own inner-sonic trips, navigating both dark and bright fields of the psychic plane, their repulsion, attraction and where they meet and bleed into each other. It’s a pitch black smoke sound rising around some mind-breathing, colored vision. Or something like that. At any rate, dig around and you’ll find a lot of gnarly stuff from this group, and the best part is, the best is yet to come. I strongly suggest you check out the following videos and give these guys a chance. It’s a ride to take.

Cult of Dom Keller –  Facebook

Cult of Dom Keller – Youtube




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Interview Experimental: The Vacant Lots

I’m trying something for the first time over here in the Findings Of The Other Eye corner of cyberspace. An interview. Being my maiden voyage for this type of thing, I feel pretty lucky it was not only with a band I’ve grown fond of and respect, but fellow Vermonters. I tend to have a soft spot for all things of that northern temperament; however, I was pleased to find it unnecessary to rest on any homeland bias or squinting to color my appreciation of this band. They’re the real deal. That being said, I shared a brief correspondence with The Vacant Lots, a two-piece, droning, garage, hypno-phenomena reminiscent of the mega-legendary Spacemen 3.  This is all just an experiment, but I hope you enjoy it. I give my thanks to the band and wish them well on their journey. Check your crystal balls for these guys. They’ll be there.

 

 

Why does it seem like people continue to seek out top 40 radio hits from the last 40 years, or safe, indie, cookie cutter bullshit, while basically ignoring anything thriving in the margins of our culture? Is it a matter of the music or the business or what?

BRIAN:  Because they’re not doing any ‘seeking’ in the first place.  Radio hits and safe indie music are in your face all day no matter where you go, it’s that ‘marginalized’ sound you really have to chase.

JARED:  I think most people accept what’s being given to them.  They don’t question authority or explore other avenues.  Why do so many people watch American Idol or reality television shows?  Why do people still eat at McDonald’s or Burger King?   But things change in time.  So many writers like Poe, Baudelaire, Rimbaud didn’t make a living from their work but the recognition came later and their influence is infinitely greater than the majority of their contemporaries.  The Velvets, Stooges, Elevators, Suicide and Spacemen 3 all sold very few albums in their existence.  I think that the quality in art will sustain itself.  In the end the individual has to choose for oneself.  But what you find instead are a lot of people content to take what is ready at hand and go no further.

 

What do you find to be the most despairing psychic quality of our culture and do you think music can do anything to change that? Should it?

JARED:  Religion.  It preaches from a standpoint without evidence. I like the quote that Richard Dawkins said, “one of the things that is wrong with religion is that it teaches us to be satisfied with answers which are not really answers at all.”  Religion separates us and stunts the growth of individuality and thinking for oneself.

 

What is the artist’s responsibility?

JARED:  Honesty.

 

If the experience of your music could alter the collective mind, how would you like to see it change?

JARED:  I don’t believe in a collective mind.  I believe in the individual mind.  If the music I make can inspire other people to make music or change their lives in some way then I think that the objective has been made.  It starts with the individual not the crowd.

 

What have you come to find the most challenging obstacles as an artist?

JARED:  Well, there’s the economic factor like paying rent which can be difficult at times.  But there is the artistic struggle with the themes of life, death, religion, the soul, eternity.  Wrestling with ideas and communicating them to others through the music.  I’m searching for a greater simplicity of vision.  When we started the band 3 years ago the objective was never for the pursuit of money but to make great art.   The greatest aim I think is to develop your own sound & style.

 

How do you perceive your relationship to sound and music?

JARED:  Symbiotic. And sometimes synesthetic if the right tools are applied.

 

Can you recall any experiences where listening to music in a particular place and time changed the way you appreciated music and its potential as a form?

JARED:  I remember discovering Raw Power by Iggy and The Stooges in a record shop.  I was kinda intrigued by the album cover and the photographs on the back.  I remember thinking on the song titles and being captivated by the mystery of the record.  Then when I took it home and played it I couldn’t get past the first song.  I just played that track over and over again.  That album really spoke to me and changed my life.

 

Where do you want the audience to go when they listen to your music?

JARED:  Inside.

BRIAN:  As close as they can, I want them to feel the rumble.

 

How do you like to approach the creative process?

BRIAN:  I’ll play something on the wall and try to create the sounds that seem to fit.

JARED: It’s a balancing act between madness & order.  Sometimes, I’ll fill up a series of notebooks; writing down ideas, concepts, drawings and lyrics. The same happens with riffs and sounds.  I will lay a lot of ideas down on a tape recorder and then go back over things and piece everything together.  It’s a process of transformation. I like trying to find the relationship  between the words and the music.  There’s a lot of ambiguity in the lyrics so the listener can add their own interpretations so it corresponds with their own life.

 

What do you have in the works right now?

BRIAN:  We just recorded our debut album with NYC engineer/producer Ted Young and we are getting ready to mix the new record as well as upcoming show in NY with The Wooden Shjips and upcoming 7″ single on The Reverberation Appreciation Society.  Then we are planning for a Fall ’12 tour.

 

How do you want to die?

BRIAN:  Aspartame

JARED:  I want to live forever then die.

 

The Vacant Lots – Tumblr

The Vacant Lots – Facebook


 

 

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Mega Austin Psychfest GIF Gallery

Much love Psychfest. Thank you for the most excellent weekend. Let’s get this started in order of appearance…apologies that I was not able to get every band…

High Wolf

Cerise

Christian Bland & The Revelators

Special Guests

Indian Jewelry

Holy Wave

Moon Duo

Acid Baby Jesus

The Meek

Night Beats

Psychic Ills

Ringo Deathstar

Dead Meadow

Black Angels

The Asteroid No. 4

Pink Mountaintops 

Singapore Sling

The Telescopes

Black Lips

UFO Club

Secret Colours

Wall of Death

Wooden Shjips

Blue Angel Lounge

Federale

Thee Oh Sees

Brian Jonestown Massacre

 

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We Are For Real

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Love

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Stormy Weather

Gloom fog all up in my mind space. 

Awesome rainy day mood stuff…

A selection from one of my favorite albums….

An article by the brilliant Chris Hedges…

The Globalization of Hollow Politics

http://www.truthdig.com/report/item/the_globalization_of_hollow_politics_20120423/

Posted on Apr 23, 2012

By Chris Hedges

I went to Lille in northern France a few days before the first round of the French presidential election to attend a rally held by the socialist candidate François Holland. It was a depressing experience. Thunderous music pulsated through the ugly and poorly heated Zenith convention hall a few blocks from the city center. The rhetoric was as empty and cliché-driven as an American campaign event. Words like “destiny,” “progress” and “change” were thrown about by Holland, who looks like an accountant and made oratorical flourishes and frenetic arm gestures that seemed calculated to evoke the last socialist French president, François Mitterrand. There was the singing of “La Marseillaise” when it was over. There was a lot of red, white and blue, the colors of the French flag. There was the final shout of “Vive la France.” I could, with a few alterations, have been at a football rally in Amarillo, Texas. I had hoped for a little more gravitas. But as the French cultural critic Guy Debord astutely grasped, politics, even allegedly radical politics, has become a hollow spectacle.Quel dommage.

The emptying of content in political discourse in an age as precarious and volatile as ours will have very dangerous consequences. The longer the political elite—whether in Washington or Paris, whether socialist or right-wing, whether Democrat or Republican—ignore the breakdown of globalization, refuse to respond rationally to the climate crisis and continue to serve the iron tyranny of global finance, the more it will shred the possibility of political consensus, erode the effectiveness of our political institutions and empower right-wing extremists. The discontent sweeping the planet is born out of the paralysis of traditional political institutions.

The signs of this mounting polarization were apparent in incomplete returns Sunday with the far-right National Front, led by Marine Le Pen, winning a staggering vote of roughly 20 percent. This will make the National Front the primary opposition party in France if Holland wins, as expected, the presidency in the second round May 6. Jean-Luc Mélenchon’s leftist coalition, the Front de Gauche, was pulling a disappointing 11 percent of the vote. But at least France has a Mélenchon. He was the sole candidate to attack the racist and nationalist diatribes of Le Pen. Mélenchon called for a rolling back of austerity measures, preached the politics “of love, of brotherhood, of poetry” and vowed to fight what he termed the “parasitical vermin” who run global markets. His campaign rallies ended with the singing of the leftist anthem “The Internationale.”

“Long live the Republic, long live the working class, long live France!” he shouted before a crowd of supporters Saturday night.

Every election cycle, our self-identified left dutifully lines up like sheep to vote for the corporate wolves who control the Democratic Party. It bleats the tired, false mantra about Ralph Nader being responsible for the 2000 election of George W. Bush and warns us that the corporate technocrat Mitt Romney is, in fact, an extremist.

The extremists, of course, are already in power. They have been in power for several years. They write our legislation. They pick the candidates and fund their campaigns. They dominate the courts. They effectively gut regulations and environmental controls. They suck down billions in government subsidies. They pay no taxes. They determine our energy policy. They loot the U.S. treasury. They rigidly control public debate and information. They wage useless and costly imperial wars for profit. They are behind the stripping away of our most cherished civil liberties. They are implementing government programs to gouge out any money left in the carcass of America. And they know that Romney or Barack Obama, along with the Democratic and the Republican parties, will not stop them.

The abrasive Nicolas Sarkozy is France’s oilier version of Bush. Sarkozy, along with German Chancellor Angela Merkel, has done the dirty work for bankers. He and Merkel have shoved draconian austerity measures down the throats of Ireland, Portugal, Greece, Spain and Italy. The governments of all these countries, not surprisingly, have been deposed by an enraged electorate. And if the new governments in these distressed European states continue to be ineffectual—which is inevitable given the sacrifices demanded by the banks—the instability will get worse.

Politicians such as Obama—and, I fear, Holland—who carry out corporate agendas while speaking in the language of populism become enemies of liberal democracies. Labor unions, environmentalists, anti-war activists and civil libertarians, blinded by the images and lies disseminated by public relations offices, stop watching what these politicians do. They mute their criticism to give these politicians, whose rhetoric is rarely matched by reality, a chance. The result accelerates our disempowerment. It is also, more ominously, a discrediting of traditional liberal democratic values. The longer the liberal class does not vigorously denounce expanded oil drilling, our corporate health insurance bill and the National Defense Authorization Act, simply because these initiatives have been pushed through by the Democrats, the more marginal the left becomes. If Bush had carried these policies, “liberal” pundits would have thundered with feigned outrage. The hypocrisy of the American left is too blatant to ignore. And it has effectively left us disempowered as a political force.

The political theater staged by the Democrats and Republicans, bloated with corporate money, will not work much longer. The game will soon be up. There are four countries in Europe with socialist governments—Belgium, Austria, Denmark and Slovenia. All have had to implement austerity programs. None have effectively defied the power of the banks. This paralysis is a ticking bomb both in the U.S. and abroad. And when it explodes it will be far more deadly than anything cooked up by a group of radical jihadists.

Paris was convulsed by riots led by unemployed youths in 2005, many of them immigrants living in the depressing high-rise housing projects in the poor suburbs of Paris known as banlieues. These riots swiftly spread across France. The French government declared a state of national emergency. Now, the simmering rage of the underclass could easily boil over again. The French unemployment rate of 10 percent is the highest in 12 years, but for those in thebanlieues the rate is more than 40 percent. We in the United States have similar numbers, only without France’s health care system or safety net. And public unrest could soon pit the disorganized rage of the dispossessed against organized crypto-fascists such as Le Pen, who once compared Muslims praying on France streets in front of overcrowded mosques to the Nazi occupation.

A breakdown of liberal democracy, which seems to be where we are headed, may not bring with it a salutary change. The most retrograde forces within the corporate state, such as the Koch brothers, will lavish racists, homophobes, demagogues, birthers, creationists and gun-carrying, flag-waving idiots with money once the political center crumbles. The left in Europe, and most certainly in the United States, could prove to be too weak to battle against figures like Le Pen or those in the U.S. who rally around the perverted ideologies of the Christian right and the tea party and who receive tens of millions of dollars in corporate backing. The left, in short, may find that it has done too little too late to be an effective counterweight. And widespread discontent could very easily be manipulated by the corporate elites to ensure our enslavement. I watched this happen in the former Yugoslavia. This is the real battle before us. And it has nothing to do with the election charade between Obama and Romney and, I expect, Holland and Sarkozy.

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The Depths

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Free Downloads : )

Here is a link to free downloads of all of our stuff!

Cut and paste this link:  http://ocularaudioexperiment.bandcamp.com/

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Uncle Doughnut’s Magic Fuckfest

 


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Mindslave Mirage Mindslave

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